Logan Chandler, a young MMA fighter seeks to overcome a troubled past and build a new life based on a new faith and a new found love, but is forced back into the fighting world by Hayden Dressler, a local MMA professional. - by -

An educational short produced by Disney which poses three questions to children in how they should deal with a given situation. This time a fight at school.

For charity, comedian Ricky Gervais and celebrity and husband of Anthea Turner, Grant Bovey train as boxers for a month before taking each other on in a boxing match of 6 rounds. The winner gets £5,000 to go to a charity of their choice.

Tina lives in a quiet seaside town but her life is anything but quiet - her mother is threatening to leave her father, her daughter is being bullied and she and her husband Mick are juggling full time jobs and three children. Determined to ditch the dysfunction and beat her inner demons, Tina puts on her fighting gloves - literally, stepping into the boxing ring to sweat out her anxieties and punch up her self-worth. But does she have what it takes to get her family off the ropes and emerge victorious?

Soviet intelligence officer Kraft has a new assignment. This time, acting under the name of engineer Grubbe, he must find and transfer to the center the secret drawings of a new submarine codenamed "Walter".

In 1971, maverick filmmaker William Greaves trained his cameras on both Muhammad Ali and his opponent, Joe Frazier, ahead of the “Fight of the Century” at New York’s Madison Square Garden. The epic battle was supposed to be Ali's big comeback following the suspension of his boxing license in 1967. In addition to the media circus surrounding both combatants, Greaves shot the match in its entirety from a dizzying array of camera angles, making the director's cut of The Fight both an invaluable historical document as well as a virtuosic piece of filmmaking

In a schoolyard, a fight breaks out between three boys. Although two of them did not start it, they are quickly blamed as the culprits. The reasons behind the conflict and the consequences they face reveal something much deeper than a simple dispute.

Revenge is a recurrent theme in thrillers, usually dispensed by action heroes with a well-stocked arsenal. But in Yorgos Tsemberopoulos’s nuanced moral maze the protagonist is the bookish Kostas (Manolis Mavromatakis), a suburban florist well versed in social and political theory, which he discusses at length with a local publican. But when his home is invaded by masked hoodlums, who bind his family and rape his teenage daughter, our everyman hero finds his intellectual stance untenable. Encouraged by his paranoid, militarist neighbour, Kostas decides to take the law into his own hands, and in doing so begins to understand – for the first time – the world he has been living in. The vigilante movie is a well-explored genre too, but Tsemberopoulos gives it a whole new urgency, subverting the cliched right-wing fantasy structure and seeing it through the eyes of a man who comes to find his real self while trying to live up to the (imagined) expectations of others. (Source: LFF programme)

In this drama, a truck driver begins wooing a young woman who still lives with her father who constantly brags how he, not the town mayor, was responsible for catching a regiment of Germans during WW I. Unfortunately, no one in town takes him seriously. Later the daughter meets a German immigrant who confirms her father's claim. She then convinces her boy friend to use this information to blackmail the mayor into giving him a new truck and some extra amenities lest he tell the truth.

A lifelong outdoors man travels the world, hunting and gathering food like our ancestors did many years ago.